Something about BIG

Beta Intelligence Group (BIG) is a premier healthcare solutions ecosystem driving institutional excellence across West Africa. We integrate six specialized units—spanning strategic communications (Beta PR), operational launches (Activations), and corporate wellness (Consulting)—to provide comprehensive, end-to-end support. Our intellectual core, Beta Lab, delivers critical health intelligence, while Beta Academy builds technical capacity and Beta Health manages commercial medical distribution. By bridging the gap between research, policy, and market practice, BIG empowers organizations to navigate the complex healthcare landscape with data-driven precision and sustainable impact.

Beta PR

Beta PR
PR for health institutions

How To Write Press Releases That Journalists Actually Read

Press releases

Let's be honest. Most press releases never get read. They land in a journalist's inbox, get a 2-3 secs glance, and disappear into the void forever. That's not the journalist's fault. It's yours, or more accurately, it's the fault of how the press release was written.

Journalists are busy people. They're managing deadlines, chasing sources, editing their own stories, and handling a flood of pitches every single day. When your press release hits their inbox, they're not going to slow down and give you the benefit of the doubt. They're going to scan it fast, and if nothing grabs them in the first few seconds, it's gone. So the question you need to ask yourself before you send anything out is simple: why should a journalist care about this?

That question sounds harsh, but it's the most useful thing you can sit with before you write a single word. Not 'what do we want to announce?' but 'what makes this actually interesting to someone who has no stake in our success?' Those are two very different questions, and most press releases are written with only the first one in mind.

Start with the headline. This is where most people go wrong immediately. Headlines like 'ABC Company Launches New Product' or 'XYZ Brand is Excited to Announce' are the equivalent of a shrug. They say nothing. They create no curiosity. A good headline tells the journalist exactly what happened and why it matters, ideally in a way that makes them think 'Okay, I want to know more.' It doesn't have to be clever or punchy; it just has to be clear and specific. For example, 'Lagos-Based Fintech Startup Raises $5M to Expand Across West Africa' is a headline, while 'Company Announces Funding Round' is not.

Then comes the opening paragraph, and this is where the whole thing either lives or dies. The classic journalism rule applies here: who, what, when, where, why, and how, all answered in the first few lines. Don't build up to the news. Don't save the most important thing for later. Lead with it. Journalists are trained to read in this inverted pyramid style, where the most critical information sits at the top and the supporting details fill in below. When you write a press release that buries the news three paragraphs in, you're essentially fighting against the way journalists think and read. You will lose that fight every time.

One of the most overlooked elements in a press release is the quote. Most quotes in press releases are completely useless. "We are thrilled and excited to announce this incredible milestone that reflects our commitment to excellence and our valued customers," may sound familiar, but that sentence tells us absolutely nothing. It's a filler. Journalists know it's a filler. They skip it or delete it entirely when they write their story. A good quote should sound like something a real human being actually said. It should add a perspective, a context, or an insight that isn't already in the body of the release. Think of it as the one place in the document where someone gets to have a voice, use it for something worth saying.

Context matters more than most brands realise. A press release shouldn't exist in a vacuum. If you're announcing something, connect it to a bigger trend or a relevant moment in your industry. Journalists aren't just looking for company news; they're looking for stories that fit into the world their readers are already paying attention to. If your announcement ties into something that's currently happening in the market, in the economy, or in the news cycle, say so. Make the journalist's job easier by drawing that line yourself.

Keep it short. Seriously. One page is ideal. Two pages is the absolute maximum, and you should only stretch to two if you genuinely have information that can't be cut. A press release is not an opportunity to document your entire company history or explain every feature of your product. It's a hook. Its job is to give the journalist enough to get interested and reach out for more. If you're writing four pages, you've misunderstood what a press release is for.

The boilerplate, that paragraph at the bottom that describes your company, matters more than people think because it's often the only thing a journalist reads before deciding whether to follow up. Keep it tight, accurate, and current. Don't use it to list every award you've ever won or recite your company values. Just say who you are, what you do, and where to find more information. One clean paragraph. Done.

Distribution is a whole separate conversation, but it's worth saying this: sending a press release to a journalist who has never covered anything remotely related to your industry is a waste of both your time and theirs. Targeted outreach to the right reporters (people who genuinely cover your beat, your sector, or your geography) will always outperform a mass blast to a generic list. Quality over quantity is not just good advice here, it's the only strategy that actually works.

At Beta PR, we've seen firsthand how a well-crafted press release can open doors that months of advertising can't. We've also seen companies with genuinely newsworthy stories get zero coverage simply because the release was written in a way that made it impossible for journalists to see the value. The difference between those two outcomes is rarely the story itself. It's the craft, the targeting, and the understanding of what the other side of the table actually needs.

Write for the journalist first. Your CEO can review it second. That shift in perspective alone will change the quality of everything you put out.